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"Merits of Practice" from the
Tibetan SACRED BIOGRAPHY of Machig Lapdron (Labdron)
Thanks to Adele Chatelain (chatelaa@wharton.upenn.edu) for her suggestions on texts by early Tibetan Buddhist women.

In her book, "Women of Wisdom" (London: Routledge & Kegan Paul, 1984), Tsultrim Allione offers introductions and translations of the "sacred biographies" of six Tibetan Buddhist women: Namgsa Obum, Machig Lapdron (1055-1145), Jomo Memo (12th c.), Machig Ongjo (12th c.), Drenchen Rema and A-Yu Khadro. According to Allione:

    "The sacred biography is called 'rNam.thar' in Tibetan, which literally means 'complete liberation.' The 'rNam.thar' are specially geared to provide records for those on a spiritual quest, in much the same way that someone about to climb a high mountain would seek out the chronicles of those who had made the climb before. The sacred biographer is primarily concerned with providing information which will be helpful and inspirational for someone following in the footsteps of the spiritual adept or 'saint.' Establishing a mythical ideal and the communication of the sacred teachings takes precedence over providing a narrative portrait or "likeness" of the subject as a personality. The personality is stressed only in so far as it relates to the spiritual process of the individual."

Included here is a citation from the foreword to "Women of Wisdom," written by Chogyam Trungpa Rinpoche, followed by a mythical story concerning the merits of practice (i.e., meditation) from the sacred biography of Machig Lapdron (1055-1145) translated by Tsultrim Allione (see also MACHIG LABDRON AND THE FOUNDATIONS OF CHOD by Jerome Edou, Snow Lion Publications, Ithaca, New York 1996).

    FOREWARD TO "WOMEN OF WISDOM"
    by Chogyam Trungpa Rinpoche

    "Contrary to popular opinion which holds that the Vajrayana tradition of Buddhism has been practiced primarily by men, many of the great contemplative teachers and practitioners have been women. In Tibet we found that women practitioners were frequently more diligent and dedicated than men. I am very pleased to see the publication of Women of Wisdom, which provides ample evidence to that effect. Tsultrim Allione's work should not be regarded as mere feminism. This collection of stories is a great contribution to spreading the understanding of Tibetan Buddhism in the West."

"Merits of Practice" Excerpt from Machig Lapdron's
TIBETAN SACRED BIOGRAPHY
translated by Tsultrim Allione

When he was sixteen Machig said [to her son Tonyon]: "Now go to practice on the 'Snow Mountain of Sampo' (Shangpo Gangri). You have a good connection with that place."

He left with three friends, and they walked for a month before they arrived. The morning they arrived at Shampo they were making a feast offering and Machig appeared there miraculously. She asked "Are you tired?"

He said: "No, thank you. We are honored by your visit."

Then she gave him the greatest initiation of her lineages and the initiation of the Five Dhyani Buddhas, and the Five Secret Vajra Varahi. The initiations were perfectly performed. She stayed there in the cave for seven days. Many dakas and dakinis* were present. The son saw his mother become Vajra Varahi, and there was a rain of flowers, rainbows and many miraculous signs.

Machig ordered a local guardian called Shambo not to disturb her son's practice and he promised to assist Tonyon. She ordered a Padma Dakini called Drimima, which means "Without Obstacles," to serve Tonyon and provide everything necessary for his retreat. She promised to do this.

Machig said to her son: "Practice for thirteen years and aggregations, manifestations, dimensions in space, objects and subjects of the sense will manifest as mandalas* of the deity. Try to stabilize the pure vision of illumination. Don't worry about your livelihood, there are those who will serve you."

So he entered the cave and made a seat of kusha grass and sat in the position of Vairocana. The door was sealed and no one else entered. Then Machig disappeared into the sky with a retinue of dakinis in the direction of Zangri.

After three months he had a vision of hunger and thirst. He remembered that his mother had said that someone would feed him, but he saw no one who could keep him and feed him. But he thought: "This place has been empowered by my mother. I should be able to remain with just the food of meditation empowered by my mother. It would be impossible for me to die of hunger." A while later a red lady appeared on a ray of sunlight. She was very elegantly dressed and was bringing a bowl of nectar for him to drink. She said: "Practitioner, drink this and reach the depths of your practice."

He drank the bowl full of nectar and it had a wonderful taste, and afterwards bliss spread through his whole body. He lost his desire for worldly food and he thought: "Probably this is the Wisdom Dakini. This is a sign of progress in practice."

Then the dakini said: "I was ordered by Machig to bring you what you need. I am not your teacher, so do not tell me the signs of your progress. Keep it hidden in the space of 'suchness.' You still have the desire to tell everyone the signs of your practice. Observe your mind well. When you have doubts or decisions to make, use your own innate knowledge, do not go to others. Unite your way of seeing with your way of behaving."

As she said this, the [ray of] light stopped shining and disappeared. Every three years she came back and gave him this amrita. After five years Machig sent a yogi to check up on Tonyon and see if he was dead or alive. The yogi arrived outside the cave. "Tonyon!" he called out.

"Ah." was the response.

"Your mother sent me to see if you are hungry or cold. Do you have any difficulties you cannot overcome?"

"Aren't you tired? I am glad to know my mother is alive and well. I am living on the food of meditation -- How could I be hungry? I have the clothes of the internal inner heat, and because of this I have overcome attachment to warm clothes. My visions are great companions, so I do not miss my friends. Everything that I see is full of light, so I have no attachment to places," said Tonyon from inside the cave.

Then the yogi went back and told all of this to Machig. She was happy and she said, "Oh he has this ability."

The disciples of Machig became as limitless as the sky. They came from Central Tibet, Amdo, Kham and even Nepal. Great gurus, scholars, monks, kings, noblemen, ministers, queens, princes, embassadors, common people, lepers and beggars, all went to Machig, bowed and received teaching from her. Eventually her fame spread to India.

For more on Tibetan mandalas, see Exploring the Mandala
  • See also Denise Patry Leidy & Robert A. F. Thurman, "MANDALA: The Architecture of Enlightenment," Asia Society, Boston: Shambhala, 1997: glossary definitions given for the Tibetan terms, "mandala" and "dakini" are as follows:

      mandala "Literally, an essence-protecting environment, a mandala is a magical and sacred realm, created by the artistry of enlightened compassion in order to nurture beings' development toward enlightenment...

      "Mandalas are most familiar as geometrical paintings or drawings that look like floor-plans of buildings or the orbit of planets. Actually they are three-dimensional perfected environments, mini buddhaverses created by individuals to express their enlightenment perspective. A tantric practitioner learns the mandala architecture of a particular type of enlightenment when she is initiated into a tantric yoga practice; in the Creation stage she develops the ability to visualize every detail of the total mandalic environment, to the degree where she can feel completely secure in its divine surroundings. Often mandalas have a central palace or mansion, with a highly complex and beautiful architecture, for the meditator's divine buddha-embodiment."

      "DAKAS (male) and DAKINIS (female) were originally fierce angels or dieties of popular Indian religion, associated with the Hindu goddess Kali and with the tantric adepts of Buddhism. In Indo-Tibetan Buddhism, the dakinis became more prominent and were associated with both mundane and transcendent female deities called 'yogini.' They are slightly "fierce" (terrific buddha form that manifests the wisdom and compassion necessary to overcome the fierceness of habitual egotistical drives) but also erotic female dieties who appear to tantric practitioners to teach, inspire, assist and admonish. The "Vajradakini" (Diamond Angel) is a female form of perfect buddhahood equivalent to a 'Heruka,' a male buddha-diety manifestation."

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    Related:
    Women Zen Masters in Dogen's Raihai Tokuzui

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